My advice with learning how to do this kind of artwork, especially with Photoshop is four things:
#1.
Research - always, always do your research. If you want to make something look like something else, looks like it belongs with something else (photo-montage/manipulation) look closely at the details what you're trying to do. If you're trying to render metal, find photos of metal like swords, tools, chrome, gold, silver, etc.
If you're trying to emulate light, study how the light effects the surface its reflected off of and how intense that reflection is. Learn your tools, read about what they do so that when you need to solve a problem or achieve a desired effect, you know which tools to use for the job.
In Photoshop I would say I use the
polygonal lasso, dodge/burn, airbrush, smudge/blur tools the most followed by the
hue/saturation/brightness (HSB), and
curves and levels menu options for color and contrast alterations/adjustments.
If you want to cut out objects or make soft selections, learning how
feathering works is essential for seamless manipulations and extractions.
Photoshop has several ways to do the same thing. It is just a question of finding which way works best for you.
#2.
Buy yourself a Visual Quickstart book for the program you want to learn. It is by far for me the most cost effective way (and cheapest book I've found that does what I need it to) to learn a program for those types of people who prefer to see images instead of just text. If you are serious about learning the craft, be prepared to understand
you will get what you put in be it time or money. If you invest in a book it may help you learn faster, if you invest your time into free tutorials that may help you learn faster too but whichever method you choose, stay dedicated to learning if that is what you really want to do.
#3.
Practice, practice, practice! Don't get discouraged because your first attempts don't look as good as other people. Don't be afraid to ask questions. There's mutliple tutorials on the internet full of other artists who would be glad to help you out but they also most likely will not keep doing the work for you. Try not to be discouraged or overwhelmed by all the tools and features a program can offer, just learn which tools work best for you and learn the rest of the program's abilities over time.
#4.
Learn to accept constructive critisism. This does not mean you have to accept when someone tells you your work "sucks", this means you should ask them to explain to you
why it sucks. Likewise in my experience when you finish a piece and people tell you how much they love it, don't just say thank you but ask someone
why they like it. Knowing what people like and dislike can help you improve significantly as an artist.
Accept that you are still learning and that there is always room for improvement. Try not to view someone critiquing your work as a personal attack against you or your skill (unless it's just plain uncalled for). Look at it more as an informative opinion. Not everyone who dislikes your work is going to be right because everyone sees things from their own perspective.
Trust me when I tell you that I've been through some incredibly brutal critiques in my time, especially in college but I listen to what is said and draw my own conclusions about what is relevant that I can use to improve my work, or what is just someone's opinion.
I believe in my experience, an artist (whether traditional or digital) or potential artist has to accept the fact that there are others who will always be better than what they can do. Each person has their individual strengths and weaknesses.
Do what inspires you and decide for yourself when you feel your artwork is complete. They say that a piece is never finished, an artist just decides at some point to stop working on it.
I firmly believe this philosophy is true, especially when you are on a deadline or you are doing something that is work over what you're passionate about. I am however not focusing on "working in the industry" here though the same three things can apply. You decide what you feel is finished and when to stop.
It takes some people longer to pick up on things with respects to art than other artists out there. Everyone has their own learning curve but it is important to remember no matter what your ambition, a skill takes time to master. You will most likely not pick up things overnight and you may wind up failing several times before you do something right. It takes patience, understanding, research, (some times money), and
dedication to learn new skills.
I hope this advice helps.
=VK=
