Will the musical scoring also face some kind of REBOOT?
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- FLAG Recruit
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Will the musical scoring also face some kind of REBOOT?
Who's rooting for a more conscious background scoring for the rest of the season? And every now and then I will hear a radical iteration of the main theme music to where it's only profound if you pay attention to the key notes used in a familiar tempo. I'm rooting for just plainly profound reiterations of the main theme song used during moments of story, and maybe less overall background scoring during moments of story..
Re: Will the musical scoring also face some kind of REBOOT?
I wouldn't mind it, but it wouldn't bother me if nothing change. What I *am* rooting for is balancing the damn music with the rest of the sound. It's irritating missing chunks of dialogue, because the music's too loud.
- Dr. Graiman
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Re: Will the musical scoring also face some kind of REBOOT?
Don Peake style would be great. Occasional use of the theme tune used at the end of the pilot & at the beginning of the 1st episode (in the conulate, after swinging good-time jazz 'Flying High' by FirstCom Music) will do.
- Stealthwalker
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Re: Will the musical scoring also face some kind of REBOOT?
"Hell yes, the score needs to be rebooted as well!!!!!!!!!!!!!!!"
Stealthwalker aka "Tha Lone Crusader"
"We Meet Again". As quoted by Garthe Knight in "Goliath & Goliath Returns"
"We Meet Again". As quoted by Garthe Knight in "Goliath & Goliath Returns"
- triran
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Re: Will the musical scoring also face some kind of REBOOT?
I love the current intro but dont particularly like the cheesey pop tunes they play in the show. Maybe a bit of Iron Maiden in a good car scene.
Re: Will the musical scoring also face some kind of REBOOT?
I would love to see Don Peake and Stu Phillips come back and score an episode here and there with some great session musicians but on a show like this, the music budget is TINY which means nothing but synth stuff.